Filtered results for:Box Cottage Museum

total: 217


  1. Yellow Wool Port Arthur Issue Convict Jacket
    1855 - 1877

    Queen Victoria Museum and Art Gallery

    This jacket was issued to a convict transported from Britain to Van Diemen's Land (now Tasmania). It was part of the issued uniform given to Port Arthur convicts during the operation of the penal system 1830 - 1877. Seven classes of prisoner were created in 1826 during Governor Arthur's period of office. Clothing for convicts were mostly blue or grey, the lowest convict class were compelled to wear yellow, the colour then associated with humiliation. Port Arthur was reserved for repeat-offending ... more

  2. Women's Auxiliary Australian Air Force (WAAAF) Uniform worn by Ena Wilson

    Port Macquarie Historical Society

    This Women’s Australian Auxiliary Air Force (WAAAF) uniform consisting of a navy blue woollen serge dress jacket and skirt, was worn by Ena Maude Wilson from “Willesbro” Rollands Plains, who served as a Motor Transport Driver at Richmond Air Force base in Sydney from September 1942 to November 1945. Ena was one of thirty women who resided in the Hastings area at the time of their enlistment in the services during World War II.  Ena and eight (8) of these ... more

  3. 'Gum Blossom' child's fancy dress

    Museum of Applied Arts and Sciences

    This tiny outfit was worn by three year old Pat Dale at the 150th anniversary celebrations of white settlement in Australia held on April 6th and 7th 1938 at the Sydney Cricket Ground. It represents one of many Australian native plants that the girls depicted alongside birds and animals worn by the boys to represent the spirit of Australia. The gum blossom outfit was inspired by the characters 'Bib and Bub' from the books 'Gum-Nut Babies' and 'Gum-Blossom Babies' by ... more

  4. 1860s Purple Grey Silk Women's Possible Half Mourning Dress
    1863 - 1865

    National Institute of Dramatic Art

    This purple grey day dress is estimated to originate from approximately 1863-65. It is the only possible half mourning dress in the NIDA Costume Research Collection and it was purchased from the Banana Room in Adelaide 1999. This garment is significant as it is an excellent example of possible mourning dress that is in good condition, and demonstrates good craftsmanship as the garment is sewn completely by hand. This dress has led to several points of research, which gave insight into ... more

  5. 1870s House of Worth evening dress
    1870 - 1879

    Grossmann House - National Trust of NSW

    This alleged House of Worth evening dress, an aqua taffeta dress, heavily hand-embroidered in cream and multi-coloured medallions and pearl-trimmed, and owned and worn by Anna Maria Eales, is a historically significant item of clothing. Whilst it is not well provenanced (the dress’ origin is indeterminate), and whilst it is in poor condition, it’s the subject of an interesting narrative, and characteristic of the profusely and exaggeratedly decorated House of Worth dresses of its time. Historically, the dress is an ... more

  6. 1879 Mary Trappel (nee Kullner) wedding dress

    The Australian Museum of Clothing and Textiles

    Mary Trappel (nee Kullner’s) wedding dress, a light blue brocade princess dress, embellished with piping at the bust and sleeves, self-fabric buttons at the sleeves, lace trim at the skirt and hand-pleating at the sleeve and dress hemlines and with a bustle at back, is in excellent original and unrestored condition. It is an aide memoire of German immigration to the Hunter region in the nineteenth century, in the form of a dress. Emigration from Germany to the Hunter district ... more

  7. 1880 Ada Petherbridge (nee Bonarius) wedding dress

    Grossmann House - National Trust of NSW

    The Ada Petherbridge (nee Bonarius) wedding dress, a commendably provenanced cream taffeta dress, trimmed with blonde lace pleated trim and wax orange blossoms, worn on the 19th of October 1880, is a historically and aesthetically significant item of clothing of local Maitland derivation. Historically it is an archetypal example of the white wedding dress, popularised by Queen Victoria. Both Queen Victoria and Ada had orange blossoms, a symbol of fertility, trimming their dresses (Queen Victoria had blossoms trimming her wreath, ... more

  8. 18th century waistcoat
    1770 - 1780

    Private collectors

    Captain James Cook (1728-1779) was a brilliant British explorer, navigator, and cartographer who, among many other achievements, was the first European to document the east coast of Australia. He was sadly killed in Hawaii during a dispute with the locals. This embroidered silk waistcoat was reputedly worn by Captain James Cook and is of great interest to historians. It poses intriguing questions that we hope will, in time, be answered. If it truly belonged to this explorer then it is ... more

  9. 1910s Emily McDonald net dress
    1910 - 1915

    The Australian Museum of Clothing and Textiles

    This well provenanced, historically and aesthetically significant full-length white bobbinet dress is a rare example of a wartime special occasion dress. Entirely handmade with cotton bobbinet and cotton organdy, it is a fine demonstration of John Heathcote's bobbinet machine, patented in 1809, which enabled fine net to be easily produced in wide widths for dresses, which could be hand-embroidered to achieve individual and attractive effects. Net dresses were worn with underdresses of plain silk in white or in a matching ... more

  10. 1930s Gertrude Mary Vile 'make-do-and-mend' dress
    1920 - 1930

    The Australian Museum of Clothing and Textiles

    The Gertrude Mary Vile Depression-era dress is a cream Fuji silk dress, with an Eton collar, a patch pocket and buttons down front, from the 1920s though patched into the 30s. Gertrude, who lived at Gosforth, a rural community about fourteen kilometres from Maitland, patched and darned what was initially a best dress into a house dress, and it survives Gertrude as a statement on the hardship the people of Maitland and Australia at large experienced during the Great Depression, ... more

  11. 19th century convict jacket
    1855 - 1880

    Museum of Applied Arts and Sciences

    For convicts transported to the colonies of Australia, inadequate and inappropriate clothing was just one of the many hardships to be endured. Convicts were issued with prison clothing such as this jacket, often of the coarse, ready-made, loose fitting variety known as 'slops'. This clothing was impractical for the Australian climate and uncomfortable since the woollen fabric was coarse and cheap. These clothes were intended to humiliate convicts and this was part of the punishment. The parti colouring meant that ... more

  12. 2 Piece beige silk ensemble
    1878 - 1890

    Manning Valley Historical Society

    This dress is a fine example of formal clothing worn at the end of the 19th century. Although the dress may have been initially made for a wedding it has been subsequently reworn for many an occasion. It has also been altered significantly to fit a larger lady evidenced not only by the waist extension but by the movement of the shoulder seams. It has also seen a change in fashion where some of the ties that may have supported ... more

  13. A young girl's smocked dress

    The Embroiderers' Guild of WA Inc

    In the 20th century, sewing was an integral part of the Educational Curriculum in schools throughout Australia and most girls learnt to smock. When these girls became mothers, this training was used to make items for the home and garments for the family. Hand embroidery was a pleasurable pastime and form of relaxation.    Post WWII, when jobs and resources were limited and scarce, there was neither the range nor variety of goods and those that were available, comparatively expensive.  Quality ... more

  14. A girl's smocked romper suit. Design "Old Friend".

    The Embroiderers' Guild of WA Inc

    This romper was based on a pattern by Margaret Herzfeld in the 1990s for the "Australian Smocking and Embroidery" magazine and for smocking lessons. Through her teaching and publications, Margaret helped to keep the old skills alive, adapted them, and made them available to new generations when they were not longer taught in schools. She used her considerable talents to teach in Western Australia and interstate, designed original garments for “Australian Smocking and Embroidery" magazine and established a business making smocked garments ... more

  15. A religious habit of the Sisters of Mercy
    1920 - 1950

    Institute of the Sisters of Mercy of Australia and Papua New Guinea. ( ISMAPNG)

    This assembly of garments constitutes the basic elements of the religious habit of the Sisters of Mercy.&nbsp; The <em>Mercy habit</em> was designed by the Foundress of the Sisters of Mercy, the Venerable Mother Catherine McAuley, in Dublin in 1831, and, with possibly only minor and inconspicuous alterations, was worn by all Sisters of Mercy until the middle of the twentieth century. The habit then began to be simplified and was finally discarded in favour of modern garb more suited to ... more

  16. Ada Cummings' Lace Blouse
    1900 - 1908

    Private collectors

    This white lace and net blouse was made and worn by Ada Cummings, nee Owen. Ada was born in 1882, the second daughter of Stanley and Catherine Owen of Indigo, Victoria. She was born during the gold mining era and her father was the owner of the local store, hotel and post office on the diggings at Indigo. Ada's mother, Catherine, taught her to sew at a young age. This blouse is a fine example of lace, detailed design and ... more

  17. Ada Nash - Wedding Dress

    Canowindra Historical Museum

    This dress, made by the bride, was very fashionable for the time, reflecting the&nbsp;influence of Coco Chanel who was reponsible for liberating women from corsetry. There are two parts to this dress.&nbsp; The street length under dress or petticoat is made of a heavier cream pure silk with&rsquo; gold metal lace&rsquo; attached around the neckline. The outer dress is made of a lighter weight pure silk of the same colour, which gracefully falls in folds from the shoulders.&nbsp; The dress ... more

  18. Agnes Thompson's Wedding Dress

    Museum of Applied Arts and Sciences

    This wedding dress forms part of a collection of wedding attire, including shoes, dress and drawstring purses, which were used by Agnes Thompson on her wedding to Dr George Busby, government medical officer at the Convict Hospital at Bathurst, on 11 January 1833. Thompson and Busby are significant personalities in the colonial development of Bathurst, in country New South Wales, purchasing the first parcels of land in the town and establishing the town's first bank and School of Arts. At ... more

  19. Ah Bong's silk shirt
    1915 - 1925

    Albury Library Museum

    A pale blue grey silk Chinese shirt with detachable collar belonging to Mr. Ah Bong, a Chinese man employed by S.M. Abikhair as a hawker to travel around the Albury district selling haberdashery to farms and communities during the early 1920s. It is beautifully made of fine quality silk, and characteristic in style and manufacture of a long tradition of Chinese dress. The story of this garment is significant in the history of Albury. It represents two groups of immigrants ... more

  20. Amy Clarke's swimsuit
    1930 - 1935

    The Oaks Historical Society

    The Clarke Family of Murrumbateman were considered innovators in the development and production of superfine wool. Wollondilly residents, Jim and Judy Rudd, donated 4 items owned and or made by Amy Florence Mary Clarke. Amy's talents were varied as those of a pioneering family often were known to be. She excelled in dressmaking, crochet, embroidery, cooking, preserving, gardening and was a master at recycling. Amy's parents died when she was young and she was raised by her maternal grandparents, William ... more

  21. Ann Marsden's wedding dress

    Museum of Applied Arts and Sciences

    This is an important example of well provenanced early colonial Australian dress. Family history relates that the silk fabric of this dress was in 1793 made up into Elizabeth Marsden's wedding dress on her marriage to Samuel Marsden (1765 - 1838). Samuel went on to become an important figure in colonial New South Wales. The dress is believed to have been later remade (as it now appears) and worn by their daughter, Ann (1794 - 1885), on her marriage to ... more

  22. Anna King's Evening dress

    National Trust of Australia (NSW)

    This simply cut evening dress consists of short sleeves, a very high waist, sitting under the bust with a A-line skirt. Sleeves have a drawstring at the base, which creates a gathered, look when worn. The hem of the dress has a scalloped edge. The front of the skirt is slightly shorter than the back, which has a train. The whole dress is embroidered with silver 'plate' embroidery in flowered sprigs and a running floral border at the base. This ... more

  23. Annette Kellerman brand one piece swimming tights and silk overdress
    1910 - 1920

    Australian National Maritime Museum

    These black Annette Kellerman brand one piece swimming tights and silk overdress are significant because they are representative of the transition from restrictive to modern swimwear. The overdress still features a skirt to preserve modesty in public when out of the water, but the design allows for much greater freedom of movement than previous styles. Well into the 1890s, women were sewing weights into the hems of their smock-like bathing gowns to prevent the garment from floating up and revealing ... more

  24. Annette Kellerman costume
    1914 - 1920

    Museum of Applied Arts and Sciences

    This two-piece costume belonged to the famous Australian, Annette Kellerman, whose childhood love of swimming not only saw her overcome Rickets, but become a world champion swimmer and famous star of stage and screen. As a swimmer, Annette began setting new sprint and distance records when she was sixteen, and in 1905 she became the first woman to attempt the English Channel. Her talent for diving and dancing (particularly ballet) became the basis of an underwater mermaid act which she ... more